Master Index of Theory-Related Pages Online
Bluegrass Licks Guitar
“Learning licks from your favorite bebop players is key to understanding the deeper harmonic nuances of the music. Organize your vocabulary of licks by harmonic situations and then plug them into your solos. In time, you’ll uncover the harmonic and rhythmic shapes behind the licks and they’ll become a part of your own musical language. Bebop scales are very used in jazz music and a must know for any jazz student. They are derived from the other modes and contains an additional note what makes them octatonic scales, in other words, scales with eight notes. Check out those lessons with diagrams and charts to learn how to play bebop scales on guitar. 'Counrty Licks' as a downloadable video MP4 or Windows Media with PDF file 'JAZZ 101' i ntroduction to jazz guitar downloadable video available as Windows Media or MP4 with PDF Worksheets 'Blues Licks' downloadable video available as Windows Media or Quicktime, MP4with PDF Worksheets. 5 new video fingerstyle downloads with pdf charts. Bebop licks for guitar, presented in notation and TAB. These licks are based on the dominant form of the bebop scale. The dominant bebop scale is basically a mixolydian scale with an extra passing note inserted between the root and the b7. For example, a G dominant bebop scale contains the notes: G.
Welcome to the jazz theory section of JazzGuitarLessons.net … here you’ll be able to satisfy your intellectual cravings for understanding how music works theoretically. You’ll find out about how scales and chords are constructed (and why!) plus many articles addressing a wide range of theory topics such as progressions, modes, chords with alterations, key signatures, cadences, etc.
So, what IS jazz theory? Jazz harmony is defined as the theory behind jazz chords, and the practice of how jazz chords are put to use in the context of jazz music. Since american jazz music resembles, in analysis, other practices of Western harmony (i.e. classical music), jazz harmony and theory relies heavily on similar concepts (such as scales) as the foundation of chord construction. https://iarenew785.weebly.com/how-to-install-xfce-themes-arch-linux-iso.html.
The way it’s going to be presented on this website, jazz theory is like popping up the hood and looking at a car’s engine. You’ll understand why you’re allowed to speed up, slow down, make wide or sudden turns, and so on. In brief, music theory is how we organize the sounds we have on our instruments into a logical system (that’s the “engine”)…
Word of Caution About Jazz Theory
Before you start reading the pages and articles below and learn jazz theory, I believe it’s important for you to understand this: jazz theory, as much as you can learn from it on a written page, really lies in YOUR EARS. Richard dokey sanchez pdf free.
The systems we use to explain what we’re doing have to be identifiable by sound. That being said, always make sure that what you’re studying in theory is understood well and that you can HEAR IT (and I mean away from your instrument).
Now go on, knock yourself out, and read the articles below in order.
Jazz Theory Basics
- The Major Scale
This is the universal foundation of music. This lesson covers the scale and basic theory. Then you should also see Melodic Minor and Harmonic Minor scales.
- Chord Cycles In Jazz
Find out about how chords can be played in specific sequences of parallel motion. You’ll learn about the very important cycle of fourths, of course. Chords can also be cycled by remaining within a key (hence “diatonic”). There’s only 7 diatonic cycles to know!
Scale and Modes Construction
That’s a biggie! So here’s your quick guide to sorting it all out:
- Scale Construction 1 – The Formula
Learn and understand the basic formula to build the major scale (in any key). Includes a “Four-Step Process” to practice your understanding of this jazz theory.
- Scale Construction 2 – Building All the Keys (Signatures)
Each key is unique! Apply the “formula” in a more general way: learn how to use key signatures to immediately SEE in what key a tune is supposed to be played in.
- Scale Construction 3 – Intro to Modes
What are modes? (and why you shouldn’t be confused by them!)
- Scale Construction 4 – Modes From Three Scales: 21 Most Common Modes
See how we can generate 21 completely unique modes by using three very common parent scales. This wrap things up nicely with a link to how CHORDS a built from scratch.
Harmony and Chord Construction
We build chords from the scales covered in the previous section. So make sure you’re familiar with scales before attempting to build chords from them:
- Chord Construction 1 – Basic Triads and Seventh Chords
Never dealt with the music theory of chords before? No problem! Start here to build common triads and 7ths …
- Chord Construction 2 – Intro to Extensions
Two nice “tricks” for jazz guitarists to create 9th, 11th and 13th chords from common chord grips.
- Chord Construction 3 – Equivalents
In this article, you’ll get to understand exactly WHY some chords are completely interchangeable. You’ll realize you already know more chords than you thought… - Chord Construction 4 – Diatonic Chords From Three Scales
We’ll find all the chords that “live” within our three most common scales: major, melodic minor and harmonic minor. - Addendum: The “Chord Extensions Finder” Technique
This nice little technique lets you know exactly which extensions are available on what chords. It’s a simple, effective AND systematic approach to discovering “the right” extensions on jazz chords.
Chord Progressions Basics
- Blues Progressions Explained
Five important blues progressions with theoretical explanations. PDF to download and print in 3 keys!
After understanding blues stuff, it’s important to get accustomed to “how chords move to on another”, here’s the guide:
- Intro to Chord Progressions #1
The basics of understanding how chords go with one another. Covers the diatonic cycle and the I-VI-II-V progression. Great starting points.
- Intro to Chord Progressions #2
Modulations : how to get to other keys. Let’s start by modulating to the almighty IV chord… (heard in many standards and within the blues progressions, to most important modulation)
How To Play Bebop Guitar
- Intro to Chord Progressions #3
Minor Progressions. The final chapter in this jazzy chord progressions survey. The minor diatonic cycle, I-VI-II-V in minor and minor blues progressions.
- Chord Substitutions: Survival Guide
An introduction to how jazz chords can be interchanged in different contexts. Find out about the infamous “tritone sub” !
The Ultimate No Nonsense Series
If you already know some stuff about chords, then the “No Nonsense Guides” are a great way to get into free jazz guitar theory without being overwhelmed with too many notes, scales, modes, etc. In fact it’s some sort of simplification of some of theory’s intermediate concepts. (Not completely for beginners, yet not too advanced).
- The No Nonsense Guide to Jazz Harmony – Part 1
“What is a II-V-I and how does it work?” Theory with practical applications on the fingerboard (printable exercises in PDF).
- The No Nonsense Guide – Part 2
Some more clarifications on harmony. Practical suggestions to understand and play secondary dominants, interpolation, back cycling, turnarounds (and more…)
- The No Nonsense Guide – Part 3
The final article in the “no-nonsense series”. Covers more advanced topics and defines harmonic concepts such as tags, back door progressions, extension, inversions and more…
The “Playing on Dominants” Series
Last but not least, how to play on dom7 chords … from the most basic mixolydian all the way to very complex altered sounds:
- Dominant Chords: An Introduction
An introduction to the reason behind the dominant chords: they’re the engine of harmony! Start with the tritone and understand everything that happens with those little monsters.
- Dominants Part 1 – The Basic Sound of Mixolydian
That’s the “mode” of the major scale where you find the plainest dom 7th sound of all… the mixolydian scale.
- Dominants Part 2 – One Alteration (Mixo b13)
This is the sound of the “dominant of melodic minor”. One simple shift in the Mixolydian scale and you’re set.
- Dominants Part 3 – One Alteration (Mixo #11)
Ever heard played Thelonious Monk tunes or “Blue Seven” by Sonny Rollins? Then you’ve encountered this Dom7(#11) …
- Dominants Part 4 – Common “Dom7th (b9, b13)” Sound
The dominant that originates from the harmonic minor scale. VERY common in jazz improvisation from the bebop era and on.
- Dominants Part 5 – Sounds from Altered (aka Super Locrian)
The “crunchy crunch crunch” dominant scale that has multiple implications (even tritone subs, yes.)
More Advanced Jazz Theory Stuff Here …
- How to Improvise on the Minor II-V’s Mini-Guide
Dwell on this progression and find out what the “best solution” is regarding chords / scales relationship … then apply to your improvisations on minor II-V-I’s
- A short history of Harmony
The development of classical (and then jazz) harmony systems discussed in a short, precise manner. (by Martin Antaya)
Marc-Andre Seguin is the webmaster, “brains behind” and teacher on JazzGuitarLessons.net, the #1 online resource for learning how to play jazz guitar. He draws from his experience both as a professional jazz guitarist and professional jazz teacher to help thousands of people from all around the world learn the craft of jazz guitar.
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Major Scale for Guitar (Positions, Patterns, and Licks)
One of the first scales you encounter when learning how to play guitar is the major scale. The major scale is used to solo over major family chords, especially tonic major chords, such as major, maj7, maj9, 6, and 6/9 chords. Though it’s called the major scale, it’s also referred to as the ..
Harmonic Minor Scale - Guitar Positions, Patterns, and Licks
Harmonic Minor Scale – Guitar Positions, Formula, and Licks by Matt Warnock / Friday, 22 February 2019 / Published in Intermediate , Jazz Guitar Lessons , Jazz Guitar Scales Harmonic minor is an essential scale that is used to outline minor chords in your solos when you want to bring a m7b6 or mMaj7 sound to your playing.
Guitar Lessons: Major Scale Licks - guitartricks.com
May frequently used the major scale in his fills, licks & solos. This is another aspect of his playing that really set him apart from other rock guitarists who frequently used minor, or blues based licks in their playing. This was a key component in giving May & Queen such an extremely melodic, music sound.
Major Lead Guitar Tricks - Soloing over Major Keys Guitar Lesson
A major lead guitar lesson, learn how to solo over major chord progressions. This lesson is for the aspiring lead guitarist, here are some of my favorite lead guitar tricks to use over major keys ..
List of All Major Scale Notes | Guitar Lesson World
[ March 23, 2017 ] AP-012 What are the biggest chord mistakes for beginner guitar players? Ask Patmac [ March 20, 2017 ] LRT-033 Double-Stop Riff Licks, Riffs, and Tricks [ February 28, 2017 ] LRT-032 ii-V-I Modal Lick Licks, Riffs, and Tricks ; Search for: Home Resources List of All Major Scale Notes .. send an email using my contact page. I ..
Eric Clapton C Major Blues Guitar Lick - Cyberfret.com
C Major Pentatonic Scale. Other than the very first note, everything other note in this guitar lick is out of a C major pentatonic scale. The first note can be thought of as a half step approach to the 2nd note which is in the scale. Here is the basic C major pentatonic scale form that this lick comes out of.
Guitar Lessons: Major Scale Licks: Play Along
I find it quite easy (so far!) to navigate, and found the 'where do I start' to be very helpful! I'm getting there!! I LOVE the forum, too. I've never been one to use forums, but the GT forum is full of great people and helpful information at ALL levels!
Major Scale on Guitar - Essential Theory & Chord Tracks
The major scale should be one of the first scales you learn on guitar, because it's one of the most commonly referenced in music (especially western music). As you'll soon discover, it's not just a scale for the purposes of soloing, but a system for organising other important musical elements. We'll ..
125 Pentatonic Licks - Anvil Guitar Instruction
125 Pentatonic Licks Introduction .. (such as the Diatonic Major and Minor Scales, etc.) to it, so if you are new to scales and lead playing this book will put you in good company. Each chapter is comprised of 25 licks: .. hesitate to contact Anvil Guitar Instruction to
Major Scale Licks
Here are a few of the licks I used in my major scale improvising lesson. These are in E, but they are movable and can be played in any key really.
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